I returned the last of this set last Saturday [and checked out seven more...I don't have a problem.
what], and I wanted to avoid my previous procrastination so here we go—better two days late than three weeks! I mentioned before that I won't be fully reviewing the books I borrowed that are parts of various series, but I've included them in my list with ratings. Speaking of which, we've got a new rating system this time around. Every time I borrow a huge load of books I write the titles down on paper so I can write down my ratings as I read my way through them. This time, for whatever reason, I used smiley faces instead of stars, and I'm not sure what the conversion is for smile-face-to-star so we have smiley faces this time. In future I suspect I'll return to the star method as it allows for a larger range of response, mostly because my smiley face drawing capabilities are pretty limited.
As always, read at your own risk. I honestly try to keep spoilers to a minimum, but sometimes things slip through.
I think I've mentioned
Dealing with Dragons here before [
loved it, btw] and the following are the sequential successors to that first installment. You really can't go wrong with a tongue-in-cheek, stereotype-breaking, middle-grade fantasy series.
Searching for Dragons ๐
Calling on Dragons ๐
Talking to Dragons ๐
I have been a fan of the collaborative fairytale series
Once Upon a Time [no, it's not the tv show] since junior high. Several authors contribute to this collection, so if you don't totally
love one of the retellings, don't swear them all off. Cameron Dokey is one of the most common authors, and a personal favorite. Each book is a retelling of a classic fairytale/folktale [most often with a female heroine], and most have a fabulous twist. They're all around 200 pages so it's easy to zoom through a stack.
The Storyteller's Daughter [retelling of Arabian Nights]
๐
The Diamond Secret [retelling of Anastasia]
๐ - to be fair, my dislike of this once wasn't wholly based on the poor writing [though that was exceptionally bad in places], the movie may just have ruined me for any other versions
Night Dance [retelling of The Twelve Dancing Princesses]
๐
Midnight Pearls [retelling of The Little Mermaid]
๐
Winter's Child [retelling of The Snow Queen]
๐
The World Above [retelling of Jack and the Beanstalk]
๐
Sunlight and Shadow [a 'spin' on The Magic Flute]
๐
I don't know how I missed the
Books of Ember series when I was in junior high, but I did. I just picked up
The City of Ember earlier this year [guys, there are so many of these books that I thought I had reviewed but haven't???] and I'm currently in possession of books 3 and 4 [though I'm kind of disappointed that 3 is a prequel?]. I have enjoyed the series so far, though the social themes can sometimes be a
little heavy-handed.
The People of Sparks ๐
Now, on to the main attractions!
Hush: An Irish Princess' Tale ๐
Donna Jo Napoli is becoming one of those authors that I come across completely accidentally again and again. I've read
Beast and
Bound, and enjoyed both, so I had a certain level of expectation going into
Hush.
Hush is historical fiction mixed with folktale, stemming from an Icelandic tale of a captured slave, thought to be mute, who turns out to be an Irish princess who had been stolen from her home years before. Melkorka is that princess, and
Hush tells the story of how she came to be a slave in Iceland. While traveling in secret, Melkorka and her sister Brigid are taken captive aboard a slave ship and whisked away from their home. Early into their journey, Brigid manages to escape their captors but Melkorka is not so quick. Her travels as a captured slave subject her to horrors she had never imagined in her privileged life, but she also discovers goodness and friendship in the most unlikely places. Most of all, she learns that her voice is a symbol of power that grows stronger as she refuses to cry out or speak. Her silence protects her as she is hauled across northern Europe, all the way down to the Black Sea, and back to norther waters again.
Melkorka's story is an absolute roller-coaster of tension. You get lulled into little spots of relative comfort before her circumstances flip and her safety is completely in question again. The book is a riveting read, because of this [once you get past the first few chapters which are a little slow, it took me a while to actually
like Melkorka, but that's part of the reason I got so attached to her once I did]. If you aren't a fan of unanswered questions or loose ends left dangling at the end of a book, then this might be a tough sell for you. Napoli has created all of the details of Melkorka's life, including her name, but she was still bound by the ending which ties into the original folk tale, which doesn't say much about this princess or what happened to her once she was discovered. It's an interesting restriction to work with, to have your only unmovable point be a rather vague ending, but I really enjoyed it, and the questions I was left with actually helped to sell it as historical fiction for me. Melkorka does witness and experience some truly awful things [Napoli does her research on treatment of slaves of the time], but none of what is related is really graphic. There are enough contextual clues and small descriptors to indicate what's happening without being explicit.
House of Ivy and Sorrow ๐
Natalie Whipple's book is a healthy blend of romance and magical realism that appeals to the teenager in you who's just looking for a touch of the paranormal in everyday life.
Jo Hemlock has managed to keep her life as a witch completely separate and secret from her social life as a high schooler, and, aside from a wizened grandmother who meddles in her romantic affairs, life has been pretty good in the heartland of America. Until the Curse that killed her mother, and so many other witches in Jo's family, resurfaces. Fighting off the Curse once and for all may come at the price of her secret.
House of Ivy and Sorrow definitely has a darker undertone than the lighthearted YA romance plot line might initially suggest. Perhaps it's because I haven't read a lot of books featuring more traditional witches, but the drastic contrast between Jo's fluffy, normal social life and the gruesome, down-and-dirty brand of magic [there's a lot of dead bugs, various animal eyes, and tendons and organs of a host of creatures] took a while to reconcile. I suppose that might be Whipple's point, to draw a distinct line between the two halves of Jo's life, but it strained my suspense of disbelief at times. That being said, this is a good fluffy sort of read with themes of friendship, trust, and loyalty, and if some of the characters felt a bit flatter than I'd like, it kind of just fits with the story overall so it's not a deal-breaker. The mystery surrounding the Curse is intriguingly convoluted, though I wish the untangling began a bit earlier in the plot, and there are some pretty good surprises along the way.
There are a few escalated romance scenes between Jo and her new boyfriend, but they're always interrupted before anything more than a shirt comes off [which only happens once]. Also, if you're squeamish about blood and gore maybe tread carefully—hanks of hair are routinely yanked out, and chunks of characters' flesh are required at certain points.
The Anchoress ๐
Robyn Cadwallader's [guys, get a hold of that last name] book is a historical fiction set in England, 1255, and follows Sarah, the newest anchoress enclosed in the small cell attached to the wall of the village church. For those to whole the concept of an anchoress is new, as it was to me, an anchoress was a woman who chose to sequester herself away from the world in order to live a life of prayer. They were more isolated than nuns, typically living in tiny bricked-in cells attached to churches. They were traditionally cared for by a maid or two who would be the only people to actually see the anchoress for the duration of her interment [an anchoress was referred to as being dead to the world], unless she chose to show herself to one of the women that came to seek her spiritual advice.
Sarah, fleeing the traumatic death of her younger sister and the prospect of marriage, concludes that she has been called to be an anchoress, and at first embraces the blessed solitude of her little cell. But the thick walls of her hiding place cannot keep out old ghosts, and when the voice of the previous anchoress begins to call to her from the dirt floor, Sarah begins to realize that her enclosure cannot fully blot out her memories or the world. Initially determined to keep her distance from even the women of the village who come seeking counsel, and feeling neglected by her new confessor who always seems in a rush to leave, Sarah slowly becomes invested in the lives and concerns of those outside her walls. Truly discovering the peace she seeks, though, will drive her close to death and challenge many of her own long-assumed beliefs. It is a grievous sin for an anchoress to break her vows and leave her anchorhold, but it's been done before. Will Sarah's journey of personal and spiritual discovery leave her only these two options: stay or leave?
As much as I have enjoyed different experiences with historical fiction,
The Anchoress was entirely outside my wheelhouse, but in the best way. Sarah's story, set so far back in history, and set along the life of a profession that no longer even exists, has surprisingly relatable themes. It explores the political and economic strife between the haves and have-nots, challenges assumptions about womanhood and the roll of women in society, and reminds the reader that kindness and goodness are not traits held exclusively by those we might view as desirable.
The Executioner's Daughter ๐
Lily's parents have gone to great lengths to shield their daughter from the horrors of her father's occupation, but even a small girl quickly understands why she is teased a reviled by other children of the village. Her friends, instead, are the small woodland creatures she has been nurturing back to health through the instruction of her parents. Lily dreams of becoming a healer one day, to help animals and people get better, rather than hurting them, but when her mother contracts a sudden and serious illness Lily must take her place as her father's assistant. Such sudden exposure to such gruesome events shakes Lily to her core, and she knows her father is in no position to ease her burden. Is there any way for a young girl to change her fate?
Coming in at a whopping 134 pages, Laura Williams' foray into the grim circumstances of a child growing up in the Middle Ages under the shadow of perhaps the most unpopular profession is both striking and strikingly short.
The Executioner's Daughter is Middle Grade, so a lot of the detail and struggle you might expect from such a premise is abbreviated or smoothed over. Lily only witnesses one truly gruesome execution, the majority of her experience is with the toll the job takes on her parents, which, as an adult reader, lends the depth that the story is really in need of. While Lily is likable and believable, some of her decisions seem rushed, without giving her time to really process through events or make her way to certain conclusions. The book also ends on a cliff-hanger than isn't entirely satisfying, though it is hopeful. The reader gets a small glimpse at the life Lily may be leading at the end of the book, but it's vague and leaves you wanting more information. I firmly believe that children should be exposed to hard topics, in appropriate ways, so this is an interesting book to find on the shelf, but I think that the idea would have been more satisfactorily carried out in YA.
Mosquitoland ๐
The questions of 'what is truth?' and 'what is sanity?' are primary themes that lace their way through this David Arnold novel. I'll be perfectly honest, I have instant reservations when I see a book like this, with a female protagonist, has been written by a man. It's not that men can't write female characters, it's just that knee-jerk reaction from the teenager in me asking how an adult who has never been a teenage girl can really hope to capture more than a flat stereotype, but my inner teenager was happily impressed here.
Mosquitoland is a coming-of-age, self-discovery road trip reminiscent of a John Green novel [I've enjoyed John Green's work thus far, for the record]. After a whirlwind of betrayal, Mim finds herself relocated from Ohio to the 'armpit' of Mississippi against her will with her father and his brand new wife. Neither of them will tell Mim what's happened to her mother, and since she stopped receiving letters from her she's become more than a little desperate to set her life to rights. So she buys a ticket for the northbound Greyhound bus and sets off on a thousand-mile journey to reclaim her life and her mother. What Mim doesn't know is that the road to Cleveland has more than a few detours in it, complete with colorful characters and dangerous encounters with more than one kind of threat. She'll make some new friends, but she'll also be forced to take a hard look at herself and what she believes to be true.
Arnold's novel contains an impressive variety of characters, including autism, mental illness, homosexuality, and a sexual predator in its sweep. It's worth pointing out that Mim's trip is not a never-in-any-real-danger kind of adventure. Her story is gritty and real in the way that cross-country trips are often stranger than fiction. I would not recommend this as a read for younger children and would even hesitate to give it to some young teens. Nothing ever gets really graphic, but the tone and nature of many of Mim's experiences are definitely not for a younger audience, just be aware.
That being said, I really enjoyed this book. Mim's personality is sassy and salty and all the wonderfully biting humor of teenage angst while retaining that bottomless capacity for compassion and love that generally goes overlooked in teenagers. Her already tumultuous relationship with her father is further complicated by the fact that he believes Mim has the same mental illness as his sister, and his persistence in taking her to therapy and putting her on meds has affects the way Mim identifies herself. The people she meets broaden her view on what makes a good person and give her some perspective on the things she thinks are awful about her own life.
With it's twist ending and cross-country bus trip,
Mosquitoland winds up feeling really reminiscent of
Walk Two Moons, which might be a deal-breaker for some [several details are almost uncannily similar, but every story has been told before, right?]. My biggest hang-up, though, was that I don't feel like I really understand what happened with Mim's mom. I'm not sure if Arnold was somewhat vague on purpose or if he just assumed that people would have the concrete idea of how that mystery ended, but it was mostly just confusing for me. There is also a surprising lack of female characters. This is probably just a personal preference thing for me [and not that there's anything wrong with girls who hang out primarily with guys], but I'm really just itching for a discovery journey that focuses on female friendships for teens.
Rose Under Fire ๐
If you guys have read
Code Name Verity then you will
love Elizabeth Wein's second WWII thriller.
Rose Under Fire is set just a few months after the events of
Code Name Verity, and follows American ATA pilot Rose Justice. [Maddie is a part of this book, in a much smaller side capacity, but I love it when you get appropriate character cross-over in stories like this]
Rose has worked hard and pulled all the strings possible via an uncle in high places in order to become a part of the ATA, and, while she's seen enough horrors in the few short months she's been ferrying planes, she's chomping at the bit to do more to help the war effort as the Allies begin their push toward Germany. She gets more than she bargained for, however, when she is captured by the Nazis while flying a plane from Paris to England. To make matters worse, instead of the women's POW camp she was slated for, Rose finds herself in Ravensbrรผk. In the following months, as conditions at the camp worsen with the increasing crowds and winter weather, Rose survives on her poetry and the unexpected friendship, loyalty, and sacrifices of her fellow prisoners. But the Allies advancement is a double-edges sword when you're a prisoner who's less of a liability dead than alive. Will Rose's nerve and determination be enough to save her and her friends from the gas chambers?
As you guys have probably gathered, I'm a big fan of WWII historical fiction, and Wein's writing continues to deliver here. There is a similar feel between
Rose Under Fire and
Code Name Verity, especially in the narration style. The majority of the book is told through Rose's written account, and there's a large shift in the story similar to Maddie's "DRAT DRAT DOUBLE DRAT" moment, but the tie-ins don't feel cheap. Rose's experience has much less of the cloak-and-dagger feel, compared to Maddie's, but it's just as harrowing. For those that are not fans of reading about the abuses and horrors associated with concentration camps, tread carefully. Most of the worst bits of the day-to-day atrocities are described only generally, but it's hard to escape the realities of these prisoners' lives, and, while Rose is a fictional character, Wein has again done her research about what someone like her would have had to live through at Ravensbrรผk. It becomes almost immediately apparent that Rose survives her ordeal so Wein is able, more so than she could in
Code Name Verity to explore the life-long burden that thousands bore after the fighting was over. Rose's character is relatable and believable, and if your heart doesn't ache for her, and especially those who did live through such atrocities, long after you've finished reading then you are a
monster. Okay, maybe not. But really.
A Wind in the Door ๐
I find that describing Madeleine L'Engle's work is a unique challenge. I have never before read any of the other books in the
A Wrinkle in Time quintet, so I'm going to mention some things up front for any others as unfamiliar as I. This series is not written entirely in chronological order, and, at least judging by the two I've read, they function almost as stand-alones, with no reference to or acknowledgement of the events that happen in the other books. This really threw me off initially. Meg's father is home and working in
A Wind in the Door, so I was expecting some kind of reference to the events and various characters of
A Wrinkle in Time, but there isn't any. This second installment
does come chronologically after the first, but this is only distinguishable by the presence of Meg's father and mentions of her and Calvin's respective ages. If you struggle to understand or enjoy L'Engle's work, this book isn't going to help you out much.
I'm going to go ahead and just copy amazon's summary over for you guys, because I honestly couldn't say it any other way:
"
It is November. When Meg comes home from school, Charles Wallace tells her he saw dragons in the twin's vegetable garden. That night Meg, Calvin and C.W. go to the vegetable garden to meet the Teacher (Blajeny) who explains that what they are seeing isn't a dragon at all, but a cherubim named Proginoskes. It turns out that C.W. is ill and that Blajeny and Proginoskes are there to make him well – by making him well, they will keep the balance of the universe in check and save it from the evil Echthros.
Meg, Calvin and Mr. Jenkins (grade school principal) must travel inside C.W. to have this battle and save Charles' life as well as the balance of the universe."
L'Engle's writing is easiest for me to understand and remember when I think in terms of themes. As with
A Wrinkle in Time, the themes drive the story here and touch on broader, more grown-up topics than the fantastical sci-fi events might originally suggest in a middle-grade book. In order to succeed in saving Charles Wallace, Meg and co. must learn to find the human and lovable in those they find it easiest to dislike; they have to learn to see their relative insignificance in the scheme of a universe, and then reconcile it with their immeasurable importance; they learn that certain aspects of growing up that may, at first, seem restrictive and boring actually allow us greater freedoms, and to be greater forces for good than we would be if we stayed ever as we are now. L'Engle's is a unique ability to blend the poignant with the utterly fantastical.