Thursday, February 27, 2014

rainy day rambles

As much as I don't love rain, mostly on days when I have to go out in it, I'm really just glad it's not snow. Spring may finally be coming! [knock on wood] I've changed my work desktop wallpaper to reflect my optimism.

Winter doesn't seem to be quite done with me though. In the last month I've had what I'm pretty sure was the flu, a cold, and now I think I'm coming down with strep throat - my perennial winter illness. I'm hoping that I can kick this latest ailment quickly. I'm well versed in the progress of strep so I know what to expect, I just don't enjoy the alternatives for making the process less uncomfortable - either don't talk for a week, or use cough drops/gargle with salt water - both of which leave my mouth tasting like roadkill. So yeah, if spring could come soon and I could stop being sick for two weeks at a time, that'd be sweet.

Tim and I saw Monuments Men and The Lego Movie last week, both of which we really enjoyed. Subsequently, I've been thinking about various lessons I got from each film and no, I'm not going to moralize here, this is writing-relevant stuffs. Serious biz-nis.

- Caution, spoilers may lie ahead -

We were both really excited to see Monuments Men ever since we saw the first trailer. Tim's a nut for historical, especially war-related films and the story - based on true events - just really interested me. We tend to do a little research on a film before we go see it, to screen for content and such, and we had both come across less than favorable reviews of the film. Not that anyone was bashing it, just people saying that it was boring and a disappointment overall. This was a little concerning for us but we were determined to see it anyway and, having done that and enjoyed it immensely, I think I can understand why some people didn't. Monuments Men is based on historical events and people and, as such, the film is much more akin to a documentary than an action movie. My assumption is that a lot of people went into this movie expecting it to be an action-y war movie with a succinct plot and characters that were developed over the course of the film. That's not what Monuments Men is, or, I suspect, what it even set out to be. The time line jumps ahead several times which, for someone expecting a smooth plot, would seem disjointed and confusing, but when you know that they're doing their best with a 2-hour time restraint to capture the scope and essence of the mission these men embarked on, it's not hard to follow.

So what did I get from this? It's important to know what your story is, what you're trying to do/convey with it, and hold true to that. There were points in the film where you could feel the potential tangents that might have been taken if it was an action/thriller sort of show but were passed over because the message of the film was not about adultery or digging up past transgressions. Also, don't sell your story, or let others sell it [if you can help it] as something that it's not. When people get the wrong impression of what your book is about, they're much more likely to lose interest and dislike it than they would be if they hadn't heard anything about it before picking it up.

Monuments Men also reminded me how powerful a scene without dialogue can be. Nazi's burning art with complete disregard or a man holding his long-dead comrade in his arms as friendly forces come upon them, his haunted eyes staring back at them and saying "You weren't fast enough. Where were you?" without making a sound. These are powerful images and a good reminder of what a skillfully created description can provoke in an audience, no matter the medium. [My husband would say the best part was the weapon accuracy, which he can never say about movies, so there's also something to be taken from the value of doing your research even on "smaller" details.]

The Lego Movie was, of course, a much more upbeat movie with plenty of laughs - though meaning and feelings ambushed us in the last ten minutes of the movie [in the best way possible]. The thing that really made it more than it could have been for me, and what I'm pulling from it for the purposes of this post, was the continuity of style. I appreciated that the animators really committed to making everything in the film Lego. I imagine it would have been easy to make the logistics and physics of the world more akin to our own [ex: the Lego people getting into the construction vehicles via the doors instead of through the roof] but their dedication to keeping all those details accurate to the way the toys work really pulled it together for me. If they had made the world rigid but the characters were able to bend in ways Legos can't, it wouldn't have worked and it would have affected the whole feel of the movie.

Continuity of style in writing can be a daunting task, especially if you're just starting out on a new story. It's something we generally look for and refine once the book is further along but just because that process happens later doesn't mean we can forget about it or that it's unnecessary. Finding our voices as writers is the first task we take up, whether consciously or not, and it's ultimately the stamp on our work that will develop fans and followers. If the tone and style of your book is inconsistent it confuses the reader and pulls them out of the story - and it usually makes them less inclined to read anything else you may write. The stories we create deserve effort on our part to make them the best they can be and our readers, present or future, deserve that consistency from us as well. It can make the difference between an interesting premise and a story that fills its potential.

Good heavens, I'm a bit of a wind-bag today apparently! Well, I'll shut up but I'll leave you with this adorable little gem that I came across on HONY yesterday. She's reminding me to take pleasure in the simple things in life ;)

Thursday, February 20, 2014

you can never have too many writing helps

Okay, well, maybe you can, but I think you'd have to be trying.

So this week I've actually been harnessing some of my free time at work to fill out some character sheets which has been much needed. I've got all these details floating around in my head that need to be organized and I was pointed towards a framework that is super comprehensive. So I thought I'd share it with you guys: Character Stats Framework

This sheet is really well put together. There are links for different personality tests as well as other details to help you really flesh out your characters. Taking personality tests for your characters may seem like a silly thing but let me tell you, it's actually super helpful, not to mention really fun ;]

This blog has a ton of writing helps that I'm bookmarking for future use. Research is fundamentally important to any kind of writing, regardless of whether you write speculative fiction or realistic and there are so many resources on this site to help you find out whatever you need to know. Seriously guys, you can't really give excuses for not doing your research when people have put this much time and effort into helping making the process easier.

On the note of helpful writing things I've learned this week, my favorite is probably the idea of a Procrastination Sheet which I got from this tumblr post. The idea is to create a page in your word processor or a paper page, whatever medium you use to write, that is exclusively for keeping track of those little things that pop up when you're writing. Like "oh, I need to figure out the rules for my magic system" or "what calendar do they use in this story?" Stuff that would pull you out of your groove to address in the moment they come up but that you don't want to forget either. You just list it on your Procrastination Sheet and then, when you're struggling to write a scene/chapter/etc. you can go to this sheet and pick something to work on. This way, you are still working on the story even if you're struggling with writer's block and it always gives you something interesting to turn to if you need a break from your current focus.

I've already got a list of things to do as long as my arm but having them written down gives me the peace of mind that I won't forget them as well as the satisfaction that I'll always have a productive way to work on my story, whatever my mood on a given day.

Thursday, February 13, 2014

how do we define our worth?

Apologies for flaking out on the post last week. It completely slipped my mind somehow. Not much is going on this week but something did come up today that deserves a little reflection.

A friend of mine got some truly amazing news this week when her boyfriend met her favorite creator from the Cartoon Network. Not only does this woman know who my friend is and about her art, but she gave her a massive complement. When I heard about this encounter, and the opportunity that it's opened for my friend to send in her portfolio, I just about exploded with joy for her. I mean, what are the chances of that kind of thing happening and then becoming such an awesome experience? SO COOL.

I haven't always responded this way to news about my friends' successes and opportunities, though. I've always been excited for the breaks that others get but for a really long time I struggled with allowing their success to demean my own creative worth. I would get upset that no one was recognizing my stuff or I would get depressed that my work must obviously just suck way more than I thought it did.

Why do we do this? Why is it so easy to let a shadow be cast on our own endeavors by the successes of others? Some people respond to this by becoming ridiculously critical of others, trying to tear them down or attributing their opportunities to luck instead of honest effort. Others just become depressed and quit their projects, having decided they must just be failures.

Do you want to know the funny thing about all of this? The successes or failures of others don't cast shadows on our own efforts. We do. We do that. We cast that shadow - which is why no one else sees it unless you talk about it. Most of the time the roadblocks we run into, the writer's block, the stress and feelings of unworthiness, are of our own making. And the blocks we create for ourselves will last longer than those put up by others unless we learn how to recognize and deal with them in positive ways.

Why is it so hard to just be happy for someone else? Without complicating it with anything else. Life is so much easier, so much brighter, so much more inspiring and positive when we can honestly celebrate with each other. I feel so much more inspired to write my own stories when I can just be excited for the recognition and opportunities my friends receive about their own endeavors.

Let's commit to absorb the good vibes from the victories of others and then pass them on in turn.